A lighting design specialist and architect with Mono Studio shares her passion for the duality of practices within lighting design, and advocates for increased international awareness of thoughtful lighting.
Why Light?
I was fortunate enough to take a class with a lighting designer while studying interior architecture; it was then that I discovered the existence of a profession in lighting design. With each class, my curiosity grew, and I felt an intense desire to learn more and experiment with light. Every aspect of lighting, from the technicalities to the artistic expression it enables, captivates me deeply. It is a discipline that requires a keen understanding of materials, technology and human perception.
Favorite Project?
My favorite project is “Room for One Colour” by Olafur Eliasson, as it truly makes us aware of the importance of light in our lives. In this installation, lights are used at a monochromatic frequency. With the usual colors stripped away, visitors’ perception of color is reduced to shades of yellow and black. Eliasson masterfully demonstrates that light is not just a practical means of illumination; it is an integral part of our sensory experience.
Best part of your job?
This profession allows us to be polymaths, mixing various disciplines to achieve more enriching results. I find immense satisfaction in the synergy of scientific principles from physics, anatomy and physiology, with technology and engineering, and artistic creativity.
Biggest Obstacle You’ve Encountered?
One of the obstacles I face as a lighting designer in Mexico is the relatively low awareness and understanding of the profession in the country. Compared to more traditional design disciplines, such as architecture or interior design, lighting design often receives less attention. I strive to overcome these obstacles by actively promoting the significance of lighting design and its potential benefits. I engage with clients and collaborators, and I continuously improve my skills and knowledge through self-learning, international conferences, and participating in online forums to stay up-to-date with the latest advancements in the field.
Most important thing for the future of the lighting industry?
The most crucial point is to communicate to the world the importance of light. It is essential that individuals outside the lighting industry, or those unaware of the role of lighting designers, realize that our community comprises diverse profiles capable of making significant changes. By addressing the wider public through outreach events and media platforms, we can create greater awareness of the transformative power of thoughtful lighting and how it influences the environment, human health and cultural heritage.
Dream job?
Being in this industry has allowed me to discover other branches that ignite my passion, like scenic lighting design and luminaire design. Scenic lighting design offers a chance to create captivating atmospheres, while luminaire design allows me to explore the technical aspects of lighting.
The Emerging Professional column explores issues affecting younger lighting professionals and those new to the industry.